How To Install Plugins In Ableton Live 9

How To Install Plugins In Ableton Live 9 – Ableton Live 11: Biggest Upgrades Explained The popular DAW adds Comping, MPE support and a bunch of new tools.

Ableton announced Live 11 in mid-November, and now it’s finally here. The latest version of his incredibly popular DAW is out of beta and available to everyone.

How To Install Plugins In Ableton Live 9

How To Install Plugins In Ableton Live 9

The list of new features in Live 11 is long and impressive: Comping; related track editing; MPE support; edit expressions; monitor the live tempo; macro improvement; updated devices and sound packs; five

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Tools including hybrid reverb and a new pitch plugin; opportunity instruments; plus many improvements to Max for Live.

How To Install Plugins In Ableton Live 9

I’ve been using the beta since it was announced back in November, and while I haven’t tested every new feature, I can say without a doubt that Live 11 is a good upgrade from 10 and worth your time. Just know that Live 11 is a bit more resource intensive than Live 10. And Live 10 was much more resource intensive than Live 9. So if your machine was already having problems after the last major update, you might want to wait until you can update your equipment also Here’s a quick rundown of what’s new and great (to me) features.

Let’s start with the marquee feature – MPE support. Ableton Live is one of the last major DAWs to add support for polyphonic MIDI expression. Bitwig has it, Logic has it, even Garage has it. This means that MPE-responsive instruments like Arturia’s Pigments and sonicLAB’s Fundamental can be much more expressive when paired with the right controller like Sensel Morph. I mention these two mainly because they were my testing grounds for learning about MPE. (They couldn’t be more different either.)

How To Install Plugins In Ableton Live 9

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Ableton has been smart enough to update several of their stock instruments to support MPE, such as Wavetable and Sampler. You can find the presets under “MPE sounds” in the browser if you want to quickly dive in and explore. Ableton has also included MPE Control and Expression Control devices, which you will find in the MIDI effects section. They allow you to decide exactly how you want to use various MPE functions and map them quickly and easily. MPE Control also lets you take advantage of some of the tools available on the MPE controller, even if the instrument you’re using doesn’t support them. So, for example, you can fire up Ableton’s Analog, check a few boxes in MPE control, and swipe your fingers to trigger pitch bends and move the mod wheel. To be clear, you can always do this, but it’s much easier to set up now.

This may seem like a small thing, but I think one of the barriers to adoption of MPE controllers is that they work well with non-MPE software. I don’t want to spend an hour creating a custom mapping for each virtual instrument. I want to connect my Morph or Roli to make it work properly. This is a big step in that direction. Mainly because, in my experience, your settings require a lot of fine-tuning to get the most out of MPE, and this really simplifies the process.

How To Install Plugins In Ableton Live 9

You can still take advantage of many of MPE’s features even if you don’t have a compatible controller by using Ableton’s new expression editing tools. They allow you to dive in and manually adjust the pitch changes, modulation and aftertouch for each note, just like you would any other automation strip. It’s intuitive and simple, and might even convince a few more people to adopt MPE once they get a taste of what it has to offer.

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Another feature of the titles, at least for me, is the composition. It simply allows you to record multiple takes of the same part of a song non-stop and then easily combine the best parts. (I can already hear a bunch of purists screaming “this is cheating”, but they’re wrong.) Now I’m willing to admit that my technical skills as a musician are mediocre at best, and I can be a bit sloppy, so just being able to record eight tasks in a row non-stop is huge.

How To Install Plugins In Ableton Live 9

This is also a feature that many other DAWs have had for a while, so Ableton has actually caught up a bit here. And you can get creative with the composition to create tight glitchy juxtapositions or just highlight the best parts of a jam.

Comping also works with both audio and MIDI, so whether you’re trying to create vocals, a guitar solo or a complex chord sequence with a VST, there’s something to take advantage of. And it’s incredibly easy to use. Each take is essentially a “clip” (this will make sense to existing Ableton users), and they are grouped as takes under the main track in the arrangement view. Then you simply drag the markers back and forth to indicate where you want to switch between takes. And then, if you want, you can bring these clipped bits into the session view so you can play them individually to create new variations and combinations.

How To Install Plugins In Ableton Live 9

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It’s pretty basic, but makes fine-tuning multipath details a breeze. You can link a bunch of tracks together and what you do to one automatically applies to the others. This is great for cutting and automating two-track rhythm guitar parts, or if you played a melody on piano and synth at the same time, you just sync them once and then start editing.

It also makes Ableton much more flexible when you’re using it for editing, like a podcast, or working with video and audio at the same time. Once you have everything properly synced, you simply link the tracks so that any changes you make do not move the tracks.

How To Install Plugins In Ableton Live 9

And again, this works with both MIDI and audio. In fact, you can link MIDI and audio tracks and edit them simultaneously. Sometimes I use it as a way to get new musical ideas out of a long summer. I’ll record the MIDI and audio at the same time, then go back and edit them as a linked track. The soundtrack gives me a preview of how the new part will sound, and if I want to record a tune I just put together without drastic cuts, I have the MIDI ready.

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There are a lot of new sounds and devices coming to Live 11, but few caught my attention quite like the Inspired by Nature pack. These instruments and effects use physical and natural models to define sounds, modulation and sequencing. The simplest of these is Bouncy Notes, which drops a virtual ball when you play a note, and when it bounces, this note is repeated. But you can draw walls and obstacles in the “sequencer” (if you can call it that) that deflect the balls, or change things like launch angle and speed to create generative patterns. However, Vector Delay uses a gravity model and orbital spheres to determine the multiple delay parameters.

How To Install Plugins In Ableton Live 9

Then there’s Emit, another bouncy ball/moving particle device, but it’s a grainy looper and synth. It has so many controls and modulation options that it can do everything from sharp percussive loops to atonal sounds and beautiful pinch melodies, but all with a unique and somewhat unpredictable slant. The 10,000 foot view is this: You have particle emitters that trigger automatically while your track is playing or when a MIDI trigger is triggered. The particles then fly through the spectrogram of your sample. Honestly, it’s probably deep enough to write its own 1,000 words. Just be aware that Emit is very resource intensive. So I strongly recommend that you record your results as audio or at least freeze the track when you’re done.

Vector FM and Vector Grain function in much the same way as Vector Delay, except they rely on FM and grainy synthesis respectively. Then there’s the Tree Tone, which is an awesome generative resonator instrument made for drones and soft random melodies.

How To Install Plugins In Ableton Live 9

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Setting a percentage of the probability that a note will be triggered becomes more or less a must for hardware sequencers. Ableton now integrates it properly into the clip controls. You can set the probability for each note or randomly determine the probability for multiple notes at once. The actual interface for setting the probability is simple and basically the same as changing the velocity of a note. The only problem is that it’s easy to miss the chance controls if you’re not looking for them – it’s one of the little buttons at the bottom of the clip preview. No text label.

In addition to randomizing the probability of notes. You can even randomize the notes or the values ​​in the macro rack. You can also randomize the speed of the notes within preset ranges, perfect for a live hi-hat feel.

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